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<b>The restitution question is not new. In
1872 already, the </b> <b>King of  Ethiopia
reclaimed from England </b>

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<b>a number of religious artefacts which had
been taken. In </b> <b>1872, can you imagine?
The problem </b>

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<b>lies in the attitude with which Europe reacted
to such </b> <b>demands, as it never listened
carefully to those claims.</b>

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<b>As we now live in a world of knowledge,
I believe that we </b> <b>have reached a time
that requires a paradigm shift.</b>

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<b>Knowledge flows easily with new technologies.
Nothing can </b> <b>remain hidden anymore.</b>

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<b>And in this regard, we need to carry out
an own </b> <b>self-examination. What does
a paradigm shift imply?</b>

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<b>It means to rethink the national paradigm
that was created </b> <b>in the nineteenth
century </b>

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<b>with all its disciplinary architecture,
which sings the </b> <b>praises of “here”
and disparages the “over there”.</b>

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<b>It is therefore necessary to find room for
a paradigm that </b> <b>would lie in between.</b>

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<b>It is to say that “here” surely is here
as we envisage ”over</b> <b> there”.  However,
</b>

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<b>one still can see the world as a place where
one would not </b> <b>necessarily say “us
and them” but “us in the world”.</b>

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<b>That would amount to a paradigm shift. “Us
in the world” </b> <b>means that one does
no longer define oneself </b>

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<b>as the centre or define a centre at all.
And there is no </b> <b>possible contradiction
to this.</b>

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<b>And here lies a challenge, as it means that
one needs to </b> <b>rethink existing asymmetries.
</b>

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<b>As Europeans, you fear for your identity
and therefore you </b> <b>are scared of otherness.</b>

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<b>However, it is about getting enriched by
otherness. We </b> <b>should nourish ourselves
with otherness, </b>

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<b>and see this neither as a means of provocation
nor of </b> <b>denaturalization, but as enriching.
</b>

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<b>This is what I call the culture of the universal
that will </b> <b>govern our practices.</b>

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<b>Whether we want it or not, mobility exists
and we will never</b> <b> be able to stop it.
Human beings are no artefacts. </b>

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<b>They are human beings because we see in
them a shared </b> <b>humanity and as they
possess the capacity to think </b>

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<b>and analyse. It is time to take the bull
by the horns </b> <b>instead of further pursuing
a policy</b>

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<b>of burying one’s head in the sand since
this strategy is by </b> <b>now familiar to
everyone. </b>

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<b>And I am telling you, nothing will manage
to break the </b> <b>conviction of a people
that is awake.</b>

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<b>It can take all the time it will take but
once one is awake,</b> <b> one is awake for
good. </b>

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<b>Europe saw itself as the world’s navel
for a long time but </b> <b>we have now reached
a time </b>

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<b>when Europe is not anymore the only one
who is holding the </b> <b>microphone.</b>

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<b>A number of microphones do exist and it
is now time to move </b> <b>from a culture
of teaching to a culture of learning. </b>

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<b>In didactics, Germans talk about « Lernkulturen
» or « </b> <b>Lehrkulturen ». </b>

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<b>Europe needs to move from a teaching culture
to a learning </b> <b>culture. And there is
no way around it.</b>

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<b>The artefacts that have been taken to Germany
left a void, </b> <b>an absence in their countries
of origin,</b>

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<b>in their communities of origin. These artefacts
have been </b> <b>twice absent in their host
country,</b>

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<b>as some of them could not be identified
and were thus left </b> <b>in the storerooms
until today.</b>

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<b>A lot of those artefacts have faced such
fate. It was </b> <b>therefore a twofold absence,</b>

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<b>as having left Cameroon, they still could
have been present </b> <b>in Germany and benefit
there from another life.</b>

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<b>I have worked on a sculpture which is a
pillar of a sacred </b> <b>hut. It is called
the « Blaue-Reiter-Pfosten ». </b>

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<b>It has been renamed in Germany, in its new
life. It has been</b> <b> given a new identity
and </b>

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<b>became a fetish artefact of the museum «
Fünf Kontinente ».</b>

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<b>This is simply due to the fact that the
prominent Bavarian </b> <b>painter Franz Marc
and his friend Kandinsky </b>

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<b>were able to take a photograph of this artefact
and used it </b> <b>as an illustration for
their « Almanach ». </b>

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<b>As you can notice there is consequently
an added value to </b> <b>this artefact.</b>

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<b>A lot of people travel to Munich as they
want to admire the </b> <b>« Blaue-Reiter-Pfosten
».</b>

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<b>Now, if the « Blaue-Reiter-Pfosten » would
be to return to </b> <b>Cameroon, it would
become a trophy,</b>

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<b>it would be our trophy, it is to say like
our cup. The « </b> <b>Blaue-Reiter-Pfosten
» travelled to Germany,</b>

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<b>led a battle with other art artefacts on
the art market and </b> <b>in the field of
art criticism. </b>

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<b>The « Blaue-Reiter-Pfosten » then came
back home with </b> <b>further value.</b>

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<b>So, beyond the fact that this pillar tells
the story of the </b> <b>community or of the
house from which it has been taken,</b>

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<b>it becomes now an international masterpiece
and shall be </b> <b>kept in a safe place</b>

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<b>in order to reinforce the Cameroonian cultural
industry.</b>

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<b>When we then tackle the topic of restitution,
the underlying</b> <b> idea is not only to
bring back artefacts to Cameroon. </b>

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<b>Artefacts could also remain in Europe. However,
the primary </b> <b>purpose of provenance research
</b>

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<b>is to clarify those artefacts’ record
of ownership. To whom </b> <b>do those artefacts
belong?</b>

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<b>If they irrevocably belong to the legitimate
communities of </b> <b>origin, then the issue
can be easily settled.</b>

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<b>One could decide on disposal or lease agreements
or set up a</b> <b> royalty mechanism according
to </b>

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<b>what seems most appropriate. Regarding the
artefacts that </b> <b>are most needed, such
as artefacts of power or sacred items,</b>

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<b>they could be sent back so as to reinforce
the </b> <b>identity-attributing function </b>

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<b>that they fulfilled 100 years before being
taken.</b>

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<b>Museums need to stop being a place where
one establishes a </b> <b>hierarchy of the
human species </b>

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<b>starting from the bottom moving up to the
third floor. </b> <b>Museums rather need to
be considered </b>

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<b>as providing a concentric space in which
cultures can </b> <b>discuss, nurture each
other,</b>

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<b>create further values and engage in reciprocal
relations so </b> <b>as to build together the
humankind,</b>

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<b>, the genuine humankind that does not amount
to a reference</b>

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<b>to a unique and particularistic humankind
as the French </b> <b>portray it with the “Droits
de l’homme”,</b>

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<b>but rather a humankind that comprises diversity,
a humankind</b> <b> that consists of a diverse
plurality.</b>

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<b>it is another form of humankind that we
are to create </b> <b>through all the discussions
</b>

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<b>which are currently taking place regarding
restitutions. The</b> <b> goal is not to cause
fear for the person</b>

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<b>who possesses the artefacts even though
those do not belong </b> <b>to him/her.</b>

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<b>It is rather about making that person understand
that the </b> <b>state of things has changed
and thus cannot further fit</b>

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<b>in the metanarrative s/he constructed and
continues to want </b> <b>to maintain at all
costs.</b>

